Violence permeates many parts of our culture, including the world of sports. This exhibition features painting, sculpture and photography relating to the phenomenon of violence in sports, the toll that these sports take on the human body and mind, and the lengths to which athletes go to in search of fortune and fame. The artwork depicts world famous sports figures, and also those attempting to make a name for themselves in sports ranging from boxing and football to ballet.
Discussion and Q&A with Bruno Surdo regarding his latest body of work. drinks/snacks served.
"The Power of Freedom is a Privilege " says Bruno Surdo of this provocative body of work. His Baroque-Pop style draws from his years of study in Italy and the United States. His work combines old-master techniques contemporary imagery. His large scale, allegorical paintings are included in in an international array of private and public collections.
His work is currently included in POP!ARAZZI - Patrick Burns, Art Shay, and Bruno Surdo
Informal discussion and book signing. Refreshments and snacks will be served—limited edition of prints from the book will be available for sale. A portion of the proceeds from the event will be donated to Lambda Legal - Founded in 1973, Lambda Legal is the oldest and largest national legal organization whose mission is to achieve full recognition of the civil rights of lesbians, gay men, bisexuals, transgender people and those with HIV through impact litigation, education and public policy work.
In 1994, at the height of the AIDS epidemic in the United States, MK Czerwiec took her first nursing job at Illinois Masonic Medical Center in Chicago, as part of the caregiving staff of AIDS Unit 371. Taking Turns pulls back the curtain on life in the ward. A shining example of excellence in the treatment and care of patients, Unit 371 was a community for thousands of patients and families affected by HIV and AIDS and the people who founded the unit and provided care. This graphic novel combines Czerwiec’s memories with the oral histories of patients, family members, and staff. It depicts life and death on the ward, the ways the unit affected and informed those who passed through it, and how many look back on their time there today. Czerwiec joined Unit 371 at a pivotal time in the history of AIDS: deaths from the syndrome in the United States peaked in 1995 and then dropped drastically in following years due to the release of antiretroviral protease inhibitors. This positive turn of events led to a decline in patient populations and, ultimately, to the closure of Unit 371. Czerwiec’s restrained, inviting drawing style and carefully considered narrative examines individual, institutional, and community responses to the AIDS epidemic, as well as the role that art can play in the grieving process. Deeply personal yet made up of many voices, this history of daily life in a unique AIDS care unit is an open, honest look at suffering, grief, and hope among a community of medical professionals and patients at the heart of the epidemic.